The final boss music for the second Headhunter pack makes fighting the Wattle Gobbler feel more like a deranged barnyard chase.The combat theme for the Backstage area of the Torque Arena is a fist-pumping Southern Rock track that'll have you jamming out as you tear your way through the backstage. '70s style rock and '80s power ballads have never been so appropriately atmospheric. And finally, there's the climactic final battle against Tinder Snowflake, which takes the form of a mashup between a loud and brassy orchestral "God Rest Ye Merry Gentlemen" and a funky electronic "Good King Wenceslas".Once combat starts, the music enters a conflict between Tinder Snowflake's oppressive synthesizers and Gingerton's traditional orchestra in the Frost Bottom Combat Theme.As soon as you set foot in Frost Bottom, there is no mistake that you're stepping into a Borderlands Christmas special. The Frost Bottom Ambient theme starts out with a whimsical prelude that reminds one of the old Rankin/Bass Christmas specials, and then segues into what sounds like the Main Menu theme redone as one of Mannheim Steamroller's Christmas carols.The music in Gingerton is made to reflect the conflict in the DLC's story.What do you get when you combine the game's main menu theme with more instrumentals and some chimes and trumpets? The theme of Frost Bottom from the third Headhunter pack.The background music of Flamerock Refuge fits the "fantasy / old village" theme of Tiny Tina's Assault on Dragon Keep with its usage of persistent drum-tapping and windpipes similar to some RPG music.Caustic Caverns' battle theme, with its drum beats and guitar riffs, is very appropriate in an abandoned mining site while being chased by varkids, crystalisks, and threshers.
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